IRON AGE

It’s pretty much a daily occurrence: I approach the washing machine with a load of laundry, trying not to make eye contact with the ever-growing pile of clean cloth staring accusingly at me. Ironing. I hate ironing. I have friends who love it, who find it satisfying and soothing. They tell me that serenity washes over them. Who are they kidding? The only thing that washes over me when I contemplate the tragically wrinkled and rumpled waiting silently is resentment. Where’s the imagination in ironing? How many ways can you press pants? What can you possibly do to completed collars and cuffs that can be called creative?

How did all this smoothing of garments come to be desirable anyway? When I was knee-high to an ironing board Santa Claus brought me my very own toy iron. He brought my brother a truck. Yes indeed, gender roles were well ironed into place back then. Unlike the old folk song “dashing away with the smoothing iron” does not steal my heart away, but rather strikes terror into it. No really, when did the perfectly pressed place one into a socially acceptable category?

Do you suppose some Stone Age woman noticed that her grass mat looked more inviting when subjected to weight and heat? Did her smelly skins and furs become more appealing after being sprayed with water and covered with rocks yanked from fire? Does this mean she held the patent for those backbreaking, great heavy metal irons filled with hot coals that were in common use before the advent of electricity? No wonder they were called flat irons. Knocked you flat with exhaustion they did. I have to concede we have it easy.

But ironing, in relation to the smoothing of fabric that I’m making something from, I am happy to do. Pressing the pieces and seams when sewing is satisfying as that work is structural. The fabric is manipulated as a means to an end; it’s not the repetitive maintenance that the routine ironing of linens and garments requires.

The same applies to the preparation of knitted pieces, either prior to assembly, or after completion of the item. We knitters have a variety of techniques available to us – we can pin the pieces out to shape and spray them with water. We can dunk the pieces, or the finished article in water, wring out the excess and leave to dry. We can use a combination of both methods. We may choose to iron the knitted fabric, that is to say, apply heat and/or steam to it depending on the composition of the yarn – something which should be done with care.

Such processes smooth out the work and are generally referred to as blocking.

Call them what you will, these various methods should result in a better appearance of the fabric, and now that we’ve ironed this out, excuse me while I attend to the laundry.

Of Cat and Cloth

My friend gave me a wonderful piece of Nigerian fabric. A total of 5 yards in length, it’s a lightweight cotton, probably shirting fabric, with small motifs woven into it, and was white before being dyed in indigo with a cassava resist. The artist has painted dark navy stripes across it; the last yard or so is handstamped with dancing figures. Lovely! In Africa this cloth would have been worn intact, wrapped around the body. I’ve made my friend a scarf by cutting a 2 yard length along the selvedge with the happy figures on one short edge, and myself a shirt but enough fabric remains for another garment. Such a treasure must not be rushed, it must be sewn to best advantage. Should it be used as is, or should another fabric be paired with it? I took it outside to check colour against other fabrics, and
immediately my trusty little helper leapt onto it.

Introducing Raki, a cat of dubious parentage, but of impeccable taste for the finer things in life. He is a Van cat, a breed known for many centuries in the Lake Van region of Turkey. His ancestors would have been brought to Greece at least at the time of the Ottoman Occupation, but probably well before then by Crusaders, traders, pirates and various others who journeyed for whatever reasons across these parts. Raki is now 6 years old, named for the Turkish drink Raki which turns white when added to water, and found by us 3 days after the Argo replica sailed. We were crossing a supermarket car park in Volos when he caught my eye. Pitiful. There is no other word. Pitiful. Under a car, in the blazing heat, tiny and filthy. He would not have lasted through the day. I scooped him up. Husband was not thrilled…cats we have a-plenty.

We shopped very quickly, Raki clinging to my shirt front, then drove the 45 mins to our wonderful vet (not then yet in practice) in the upper village near our home on the Pelion Peninsula. She estimated him at no more than 3 weeks old, pointed out that his tail was broken but would possibly not need amputation, and was doubtful that he would even survive. We continued home, with Raki’s piercing shrieks growing ever more hoarse. Once into the house, I placed him on the floor, and he immediately ran to the breakfast remains of the other cats which clearly weren’t suitable for an unweaned kitten. What to feed him? No such thing here then as infant kitty formula. I improvised, and fed him 2-
hourly, day and night, on a mess of baby porridge, water, evaporated milk and a scraping of yoghurt, squirted all over us both in a syringe. Why the yoghurt? I had some notion that it would provide healthy bacteria to his horribly disturbed digestive tract.

His belly was huge, hard, round as a tennisball. Worms. But he was too young and weak to deworm at that time. He had sparse hair, was very dirty and riddled, absolutely crawling, with fleas. His ears were full of mites, and his little body had numerous bites. He was a sad and sorry-looking soul, all big eyes and ears. I bathed him in baby shampoo – had to do it twice, so dirty was he and so numerous the fleas, their eggs and other detritus. He objected. Loudly. But I was thrilled to hear that feistiness! These photos were taken almost immediately after he came into the house, but even then he was establishing his place in the order of things. Or maybe I should say our place in the order of things.

He is like no other cat I have ever owned, and I have had cats all my life. It’s not just his physical characteristics, for his fur is unlike that of other cats – it’s a dense pelt, soft as silk and only one layer of hair. He seems to be self-cleaning in that his fur never gets tangled, in spite of his mad adventures through the garden, the olive trees, and the indigenous vegetation on the property. He is extremely energetic, playful and fearless and shows absolutely no sign of the more sedate behaviour of the other cats, all of whom become impatient with him very quickly. He loves water and considers it an obligation to assist us in the bath or shower. But it’s his affection and devotion that make him truly special. He is ever-present. It’s as simple as that. He accompanies us and our dog on our walks, often having to be carried back when he gets too tired, he involves himself everywhere and all the time, he’s vociferous, inquisitive, determined and very loving.

Oh, and Husband adores him.

In the Land of Jason

Jason, so the Greek myth tells us, set sail from Volos in search of the Golden Fleece. My window looks out over the Pagasitic Gulf down which he steered his fragile wooden boat, the Argo, with his sailors at the beginning of their great and wonderful adventures. Above is Mt Pelion, home of the fabled Centaurs – half man, half horse – among whom the wisest was Chiron, tutor of the young Jason.

On June 14th, 2008 a replica of the Argo left from Volos on what was originally intended to be the same course as that taken by Jason, but was instead heading to Venice as the Turkish authorities refused permission for it to pass through the Bosphorus. The building of the replica is itself a fascinating story: all tools used were made by hand exactly as the ancient originals were; traditional shipbuilding techniques were employed; wood was sourced and handhewn on Mt Pelion; no modern method or equipment was used.

On the morning of the launch we rose early to drive to Volos seafront, and great was the excitement! I’ve posted some of the photos we took, but a quick search of Google will yield far better ones, as well as videos. When the order was given to raise oars, a shiver ran through the crowd, which seemed to be holding its collective breath. Children scampered about, some were hoisted onto shoulders for a better view. Eyes anxiously scanned the sky for cloud, and nervously glanced at the huge ferries through which the tiny Argo would thread her way. Then came the call to dip oars! An enormous shout went up, a tumult of voices roaring encouragement. Boats of all sizes sounding their horns. Hands waving, hands clapping, hands shaking flags and not a few hands wiping tears.

Historians and archaeologists believe that the Jason myth is based on fact, for there were indeed many adventurers who sailed in search of gold in the areas around the Black Sea. A sheep’s fleece is still used in some parts to sift gold from sluice water, and long is the history of fleece and the wool produced from it. I have rather a large stash of wool, for I love to knit, and my very own Jason who travels about quite a bit. Jason is a glass head on whom I once placed a hat I was knitting in order to take a photograph, and who now serves to record various hats and other bits of my knitting. Here he is, gazing down on Volos from one of the mountain villages.

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